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Journal

News from Dowd House Studios: places to find our pottery, exhibitions, classes & workshops, new forms and exciting projects.

Archive Part 1: Blast from the past

Jenny Dowd

I finally (partially) completed a task I have been putting off for years. It resulted in an empty shelf in a closet. 

All of the artwork I produced and documented during my undergraduate years and first year of graduate school were captured on slides. The digital transition was slowly taking place and by the time I finished college I finally had a good enough / affordable digital camera. I happily said goodbye to the ordeal of slides!

I'm lucky that I only had 4 or so years of my artwork locked up in slide format, still I managed to lug an old slide projector, books and boxes of slides, plus their many many duplicates around the country while putting off sorting and digitizing them.

After dusting off the slide projector and mis-orienting some slides, I spent a few nostalgic afternoons remembering where I started in my ceramic and sculpture career.

This little slab box was the first time I fired clay pierced with metal, and it was my very first piece ever to be accepted into a juried exhibition, I think it was even purchased. Mostly I remember how nervous I was packing the box for shipping. 

There was a lot to relive in this trip down memory lane, including the time, energy, and money spent on this documentation: matching the lightbulbs with the correct tungsten film (film that lived in the produce drawer in my refrigerator) taking rolls of photos, waiting to have them developed, viewing the slides, throwing half of them away, returning to have duplicates made of the good images...

It was really fun to revisit all of this old work, though a little scary and sad when in the end I threw away heaps of slides. So much time and money. 

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I kept 2 small boxes that will be sent off this week to be digitized. The next part of this project will be to organize the images I'm keeping. Soon they will be included in an archive section of my website... stay tuned!

Time for Tea(pots)

Jenny Dowd

I can no longer deny that the weather in Western Wyoming has turned. While I'm sure there will still be plenty of warmish fall days, these cool cloudy mornings have found me and Merlin hanging out close to the fireplace.

Last year when a friend asked me to make her a teapot I started by asking myself why I hadn't been making teapots.

Teapots are complicated and highly specific forms. The tradition is strong, with a million beautiful little details. I enjoy these details yet felt that I should make the teapot that I would use.

I also felt a little ashamed that my favorite teapot is this cute little red commercial teapot. I love this teapot, it reminds me of my first apartment. I'm pretty sure that's when my mom let me pick it out at my favorite tea shop.

This little teapot is just that, simple and highly functional with a removable tea strainer perfect for loose teas. 

With all this in mind, I started making teapots with these characteristics; round and simple, easy to clean, cute. They do not have a strainer inside the spout or a mesh strainer that sits down inside of the lid, instead I use a tea ball infuser. 

I was really excited about designing the cups & saucers. Some inspiration came from using a teacup in a cafe that I felt was too big to hold with one hand.

These cups are small and fit easily in my hand. The saucers provide an interesting canvas for design, I have a lot of fun mixing and matching saucers with cups.

The cup and saucer patterns inspire decoration for the teapots. 

Mmmm... I feel warmer already!

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Fall Classes

Jenny Dowd

Fall is approaching and I'm changing my studio focus slightly. This always seems like a good time of year to revisit ideas from before the busy summer while digging into the studio before winter. I'll be teaching 3 classes this fall at the Art Association that cover the basics plus a bit more in drawing and ceramics:

Drawing Essentials

This is a 4-week class and is designed to cover a topic each week, participants can choose to take multiple weeks or drop in for a specific topic. While my drawing is very line based and focuses on telling simple and sometimes funny stories, I truly enjoy the challenges of teaching each of these topics. I also find them helpful for my drawing practice, and am often inspired to incorporate them into sketches and projects.

Oct 10: Line & Shape

Oct 17: Perspective & Space

Oct 24: Value & Depth

Oct 31: Composition

Drawing & Monotype Printmaking

This 4-week drawing class can be approached as an extension of basic drawing, although all levels are welcome. I have been working to incorporate printmaking into some of my work, especially the immediate form of monotype. Slicing up a roasted beet made a neat (although temporary) print on my cutting board. This quick technique can also be a springboard for mixed media drawings- start with a quick print, then work back into it with drawing. This is a truly tactile process, we will work with a variety of materials and will use a press as well as more basic techniques.

4 weeks, Tuesdays, 1 - 4 pm, November 7 - 28

Glaze Chemistry 101

6 weeks, Oct 17 - Nov 21, Tuesdays 6 - 9pm

So, you are looking for a little more in the clay studio? Not super happy with your glaze options or applications? Wondering about the firing process? This is the class for you, a technical course designed to give a peek into the mystery of glazing and kiln firing. We will discuss and explore a variety of firing techniques, learn the basics of glaze materials, and create our own glazes and color variations.

Product Testing

Jenny Dowd

I take my job seriously.

As a potter I make dishes that are meant to be used daily. These items add something special to our daily rituals. And it's a tough job but someone has to make sure that everything works.

So have no doubt, I test my pottery thoroughly.

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Will this little plate hold cookies? How many? Even if they are warm from the oven?

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Wine cups. Yes, but do they work? 

Busy studio day? No matter, it's still important to test that coffee mug to make sure it can do it's job. The coffee pour overs always get tested, this is a form I'm still tweaking, I don't want that tricky design to get the best of me! (And nearly every day I use my favorite mug- a puff fish made just for me by Sam.)

I lost some sleep worrying over this one, but rest assured, when I finally settled on a vanilla lavender cupcake- I meticulously tested the cupcake stand. In fact, it worked so well the poor little cupcake didn't even make it off the stand.

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I even had lunch this week at Healthy Being Juicery to make sure my big salad bowls were doing their job. (This tasty Baja Salad totally made my day!)

I work hard to make the pots and will continue to make sure they work, it's a difficult job, but I'm up for the challenge! 

Takin' it to the Streets

Jenny Dowd

Here it is, the last minute... I've been working on some new forms to replenish my pottery inventory and get ready for the fair on Sunday! Tomorrow is Takin' it to the Streets, a local's art fair on the Jackson town square and Sam and I will be there with lots of pottery. And teapots fresh from the kiln... 

This fair is part of Jackson's Fall Arts Festival, so there's lots going on. The fair is made up of over 40 local artists and will be on the street around the town square. Meanwhile there are a few yummy options also happening in the square. Taste of the Tetons is one of my favorite events of the year- local chefs create awesome culinary treats, it's always fun to try their new and favorite items! Plus, the Rotary Supper Club hosts "Sips on the Square," wine tasting and silent auction. 

It's a great day, if you are in Jackson, we hope to see you there. Grab a little food, a little wine and a little art!

Jackson Town Square, 10 - 4, Sunday September 10th

A few new locations

Jenny Dowd

It's been a busy whirl of a summer... and it's not over yet! I've been catching up on orders, organizing the studio (and house), trying to catch my breath, and thinking about new projects.

All this hard work has been paying off... my pottery can now be found in two new locations!

A variety of my pottery is now at the gallery shop in the Cabarrus Arts Council in Concord, NC.

My black & white sgraffito work can be found at the 4 Ravens Gallery in Missoula, MT.

For a complete list of the places my pottery can be purchased (or experienced) visit the Locations tab!

Art Fair Jackson Hole!

Jenny Dowd

It's almost here, and I've been working super hard to get ready for the August Art Fair! Hosted by the Art Association the fair will take over Miller Park with 160+ artists from all over the country.

Stop by and say hi, we are in booth #156

Friday Aug 11: 10 - 6

Saturday Aug 12: 10 - 6

Sunday Aug 13: 10 - 4

Sam and I both have lots of our favorite forms and designs, plus some new ideas... read on for a sneak peek...

I just loaded a kiln with a big batch of soup bowls, teacups and saucers... no matter how much time I have before an event, I'll always be working up till the last minute.

Sam made a fleet of funny new animal mugs, they have some great personalities! And I've been working on some new design ideas: octopus + clouds + UFO = succulent planters. I just potted a few to get them ready for the fair.

Plus... sneak peek! I've been making Jackson Hole ornaments exclusively for Workshop, and I'm making a limited edition run of ornaments commemorating the upcoming eclipse. I'll have some of these at the fair, then they will head back to Workshop.

3D Drawing

Jenny Dowd

For some time I have been thinking about the relationship between drawing and sculpture. 

Drawing was my first love in art, and although I work mostly as a potter and sculptor, drawing has continued to drive the spirit behind my work. 

When I learned how to weld with an oxy-acetylene torch I have a vivid memory of my teacher comparing bending the welding rod to contour drawing. This image stuck and resurfaced years later when I was frustrated by an idea that I felt would not work on paper.

A series of small furniture in human settings emerged from that frustration. I like the feeling of actually drawing in space, as well as the ability to move the figures around to create different scenarios. Plus, there is a bonus drawing in shadow.

These sculptures are small, each piece no taller than 10 inches. Check out more from this series here.

This is a detail from Passages, a sculpture I have installed several times in different locations. Once again I'm playing with shadow and using the wire to draw lines.

Most recently I have been employing multiple objects to create environments, using thread, wire, fabric, and porcelain to build something that just barely pops off the wall.

These experiments have led me to think about a class that exists both on and off the page- 3D Drawing. Usually when I propose a class I have a pretty good sense of where it will go and what the outcome will be. This time I have lots of ideas but am excited that the class will be an experiment. It may go in directions that will offer new ideas and solutions.

The class starts in a few weeks. 3D Drawing will be held at the Art Association in Jackson, WY. Each week focuses on a topic that we will explore on paper and also in 3D space.

This class is set up as a drop-in, you can choose the topics/weeks you like or you can sign up for all 4 weeks:

August 9 - Line: contour drawing & wire objects
August 16 - Value & Texture: piercing, folding and manipulating paper
August 23 - Shape & Space: mobiles
August 30 - Composition: drawing with found objects

For more information, check out the class description here.

Stay tuned, there is much to say on this topic and I will post updates from the class in a few weeks! 

Details

Jenny Dowd

I spend a lot of time on details. 

When I started this series of black & white sgraffito ware, I found my tight forms with their even rims to be in conflict with my hand-drawn designs. Expression and imperfection are inherent to hand-drawn lines, I felt that this needed to be reflected in the pottery- even if I had to force it.

I use a wire to cut the rim of bowls and plates before removing them from the wheel. Once the piece is dry enough to handle yet still malleable I spend a lot of time smoothing the rims (and the whole piece) with my favorite finishing sponge

The cut rims are very similar, yet when the dishes are stacked the slightly undulating lines are more apparent.

As much as I like these cuts rims, I know it is risky. These piece are more susceptible to cracking and chipping. It's a risk I'm willing to take in order to gain the harmony found between an uneven rim and the hand-drawn images and patterns. 

Cups, mugs, pitchers, and vases are treated similarly- I allow the rim to be uneven as I am throwing the form on the wheel. Sometimes the rims are even, sometimes not, and the result is always very subtle.

New Designs at Workshop

Jenny Dowd

I may be taking a bit of a summer break, but not in the studio!

Lately I have been working on orders for shops and restaurants, as well as building up my inventory for upcoming fairs. One project includes the cute little cupcake stands that I am making for Workshop in Jackson. 

Each cupcake stand is thrown in 2 parts, I make the top (where the cupcake goes) upside down and then throw a cylinder for the stand. After shaping the edge and smoothing out the clay, I attach the 2 pieces.

The surface decoration is an inlay or mishima process. I use a sharp blade to cut into the clay making an interesting pattern, then I brush black underglaze over the cuts. Once it dries I wipe off the extra underglaze with a sponge- leaving delicate lines inlaid in the porcelain.

If you are in Jackson, be sure to stop by and check out Workshop! Everything in the shop is handmade and unique. Each of my items is one-of-a-kind: cupcake stands, bowls, platters, ring cones, and ornaments!

Succulent Planter Workshop

Jenny Dowd

This week I will be teaching a clay workshop at Penny Lane Cooperative! Make your own small flowerpot and personalize it with decorations. After I glaze and fire the pots, come back for a planting party! Or stop by and pick up your succulent planting kit.

We will start out with a block of clay- you can shape it to a square, rectangle, even a cylinder. Then scoop out the clay inside, shape the top and carve a saucer. Next step decorate! Add color and design with underglaze.

I will bisque fire the pots and add a clear glaze, making them bright, shiny and ready for plants. When you come back to Penny Lane Cooperative, your planter will be waiting for you- plus a planting kit: soil, sand, succulent, plus notes on care.

Thursday June 29

5 - 7 pm at Penny Lane Cooperative

$40- includes all materials

Come back and pick up your project July 13 or after

Space and supplies are limited, please let Andi at Penny Lane Cooperative know you would like to attend: andi@pennylanecooperative.com or 307-203-2323

Questions? hello@dowdhousestudios.com

Pottery Sales!

Jenny Dowd

We will be participating in 2 local art sales in the next few weeks:

Teton Mudpots Sale

June 22 | 10am - 7pm & June 23 | 10am - 5pm

Located in the parking lot in front of the ceramics studio at the Center for the Arts. This sale features pottery made by several local artists including students and teachers at the Art Association. 30% of all sales are used to support the ceramics studio at the Art Association- this is where I teach and also do some of my own work.

I will have a table at this sale- with lots of my seconds as well as prototypes and one-of-a-kinds!

Grand Teton Association Local Artisan Day

June 28 | 10am - 3pm

Located in the Murie Family Park at the Jackson Hole Greater Yellowstone Visitor Center

We will be joining several local artists for this 1-day art sale in the park!

FoundSpace 2017 - Part 2

Jenny Dowd

It's here, FoundSpace 2017!

Invited by the JH Land Trust and JH Public Art I joined 4 other artists to create artwork designed to engage and enhance the pathway from the Wilson School to the Stillson lot. This busy pathway is a beautiful spot for walking and biking, enjoyed by dogs and their people, and even horses!

Matt Daly and I have been collaborating on a project that features lost objects and the stories behind their loss. Mailboxes became collection points for these objects and also added to the surrounding nostalgia. Living in a small mountain town means mail is not home delivered, so most of my days include a trip to the post office to check my PO box. Plus a mailbox in the middle of a field with a red flag up invites a look-see.

After months of thinking about this project and making plans our installation day finally arrived! Matt delivered the mailboxes to spots along the path where we attached them to fence pots and trees. With all the parts involved we were lucky to have an assistant, Brittany Hill helped immensely! 

Each mailbox contains a kit for writing love notes to objects that have been lost- tags to tie onto found objects plus pencils and sharpeners. You will also find paper that can be used to make rubbings from the poems on the ceramic tiles. (Check out last week's post for details on how these were made.)

During the opening event Friday night we hung a collection of found objects (lost items as well as some natural found objects) in the JH Public Art Mobile Studio. We invited people to write poems to the objects and place them in the mailboxes so they can be found. It was such fun watching people interact with the mailboxes and to hear about what they found inside!

There is much to discover along the path...

Silent Fallen Tree: Ben Roth carved a tree into a chain and also a bench, a perfect spot to sit and contemplate.

Get-togethers have been carved by Bronwyn Minton and create places to find interesting objects both found and made. An invitation to play, perhaps they with gather different objects over the summer.

Willow Wheel by Bland Hoke is a kinetic sculpture woven from willow, while turning in the wind it makes a beautiful and subtle sound as it rustles and glides through the water. Interesting from any angle, however I should have crossed the creek to take a photo!

There is plenty of time to experience the artwork along the path, come back to interact, see what has been changed, find something new! The artwork will be on site until August 14.

FoundSpace 2017 - Part 1

Jenny Dowd

This year I am joining artists Matt Daly, Bland Hoke, Bronwyn Minton, and Ben Roth in the FoundSpace Project. This is the third year that the Jackson Hole Land Trust has partnered with Jackson Hole Public Art to bring art to conserved public land in a surprising and engaging way. I think of it as finding or rediscovering a place.

This year the project is taking place along the path between the Wilson Schoolhouse and the Stillson parking lot. This is truly a found space for me because before this project I had never been to this pathway!

Last year I participated as an assistant (check out the details here.) This year I have been collaborating with Matt Daly to create an interactive sculpture that highlights objects that have been lost (and perhaps found.)

Matt and I began this collaboration during a conversation about lost objects. The snow was just melting and we were noting the funny way lost objects are lovingly placed on a fence post or sign where they were found. We thought this geolocation and obvious hope for reunion was an interesting point for our FoundSpace project.

Matt wrote 12 stanzas to a Ghazal, a poem that can be read in any order. Each is part of a love note to an object that has been lost. I collected different voices by asking 12 people to write the stanzas on paper. I then carved each into a clay tile then stained and fired each.

This past Friday evening I participated in a Gather with families from the Doug Coombs Foundation. We hiked around a Land Trust property at the base of Munger Mountain looking for interesting found objects to incorporate into our installation.

So, how will it all come together?

Check back next week for an update, or come to the opening celebration on Friday June 9 from 5-8pm at the Hardeman Meadows. Food, music, art, and beautiful open spaces, plus you never know what you might find!

Flowers still grow

Jenny Dowd

Earlier this year I was invited to participate in the Laramie County Library's summer exhibition, Inspiration and the Artist Book. I was especially excited partly because this exhibition has a yearly theme. This is a challenge I look forward to, knowing that it will take me out of my current box. The 2017 exhibition, curated by Sue Sommers, is Utopia/Dystopia. 

Since I don't usually make art with a theme in mind, I find this addition at first jarring and then liberating. I must pass through a few stages:

1. Shock: What?? How do I do That? 

2. Acceptance: Hmmm... but it could mean this... or it could mean that...

3. Problem solving: I've looked at several angles, now how do I say what I want to say within this frame?

4. Grateful: I've stretched, learned a bit, and have made something that I would not have come up with otherwise.

While thinking about how to interpret Utopia/Dystopia I kept coming back to books and information, and not only because this show is in a library! I thought about the porcelain books I used to make (see them here) and thought about what a dystopian landscape would look like to me: a heavily censored world with nothing to read.

In order to execute this idea, I decided to alter a book. I recognize that this is a weird process. I love the tactile feeling of books. They offer escape and education all in one place, so destroying a book seems like the last thing I would want to do. However, I see this an an opportunity to redirect the life of an object that has been produced in multiples and has been discarded. (This book was found at the Teton County Library where I have taught book altering classes in the past, they let me pilfer the collection of books that will be in an upcoming book sale.)

For this project I found a particular sized book with a black, hard cover. After distressing the cover I went to work cutting away the interior to create a niche for my hidden utopia.

I made hills out of the discarded pages and used correction tape to obscure any words with meaning, leaving behind only a few pronouns, articles, and indirect objects. 

Gluing everything together was interesting: 

When I was finished, I had a little fun making a stop-action video:

Flowers still grow

One book is an infinite, hand-held universe. It has the ability to introduce unknown places and ideas with questions, experiences, and thoughts. Just one book is capable of leading a reader on a lifetime of learning and searching.

This book represents a dystopian world of redacted and heavily censored information. While this could be a diagram for the ideal, utopian meadow, it still contains an element of dread. Set like a stage with delicate clouds hanging from thread over rhythmic hills, the subject of the book remains unknown and creates a suspiciously dull scene.

White flowers reflect what little nutrients are available to be gleaned from sanitized, stripped soil, but they are growing. Hope and the ability to evolve will always be found where something grows.

The exhibition will be at the Laramie County Library in Cheyenne, Wyoming from June 9 - August 7, 2017. If you are in the area be sure to stop by and see how several artists interpreted this theme!

Mini Maker Faire

Jenny Dowd

It's time for the Jackson Hole Mini Maker Faire! If you are in town this weekend be sure to stop by the Teton Science School from 12 - 4pm on Saturday where Sam and I will be joining over 30 Makers.

Sam will be teaching basic welding skills, these photos are from last year's booth, check it out and make your own garden tool.

I will be offering the opportunity to squish, squash and form things with clay. Last year I taught basic hand-building techniques and participants contributed to a community still life.

There will be lots to learn, come by and be surprised! 

Place/Settings: Part 2

Jenny Dowd

This is the 2nd part of my journey to Concord, North Carolina where I installed my sculpture in the exhibition Place/Settings. Check out last week's post for details on my artwork in this group exhibition.

12 artists from across the state of Wyoming were invited by co-curators Connie Norman and Do Palma to explore the theme of place. Check out this article by the Independent Tribune of Cabarrus County for more thoughts on this theme.

The show is hosted by The Cabarrus Arts Council and is on display at The Galleries, in the Historic Cabarrus County Courthouse from May 5 - July 7, 2017. The Artist Reception will be on June 9th. 

The exhibition is spread throughout 4 galleries, creating intimate conversations between the artwork in each space.

Starting out the exhibition in the Jones Gallery is artwork by Bronwyn Minton, Jenny Dowd, Georgia Rowswell, Dandee Pattee and Sue Sommers.

The Lockavitch Gallery features artwork by Connie Norman, Do Palma and Wendy Lemon Bredehoft.

The Grant Gallery contains artwork by Susan Moldenhauer, Leah Hardy and Georgia Rowswell.

The Dusch Gallery features the work of Jennifer Rife, Ashley Hope Carlisle and Jenny Dowd.

Here are some details of the work:

I am honored to be part of this exhibition and to have had the opportunity to travel to Concord. I came back to my studio full of energy and ideas... a great way to start out the busy summer season!

Place/Settings: Part 1

Jenny Dowd

This past week I traveled to Concord, North Carolina to install my sculpture in the exhibition Place/Settings. Co-curators Connie Norman and Do Palma invited 12 Wyoming artists to explore the theme of place in our artwork. How do these settings or childhood memories shape our outlook or artistic spirit?

The show is hosted by The Cabarrus Arts Council and is on display at The Galleries, in the Historic Cabarrus County Courthouse from May 5 - July 7, 2017. The Artist Reception will be on June 9th. 

Cabarrus County Historic Courthouse, Concord, NC

Cabarrus County Historic Courthouse, Concord, NC

I am so excited to be included in this beautiful exhibition and honored to be in such good company. The exhibition includes artwork by: Wendy Bredehoft, Ashley Hope Carlisle, Leah Hardy, Bronwyn Minton, Susan Moldenhauer, Connie Norman, Do Palma, Dandee Pattee, Jennifer Rife, Georgia Rowswell and Sue Sommers.

Check back next week for details and images from the whole exhibition. Since there is so much to say about this show I've decided to split it into 2 posts.

My thoughts on Place/Settings led me to explore the dream-like moments that follow me wherever I am. Thinking back to childhood, I spent a lot of time reading and living in my imagination- and still do. Lately I have been trying to define these dreamy moments without pinning them down too much.

My travel schedule allowed 3 days to install my work, luckily everything arrived safely. (To see how I packed and shipped my pieces, check out this blog entry from April.)

Where the ground meets the sky

Experimenting is a large part of my process. Where the ground meets the sky only lived in my head before last week. I worked with porcelain, silk and vellum to create a subtle palette and relied on shadows to add depth and attract attention. The silk and vellum clouds hang from thread attached to entomology pins, creating a deliberately orchestrated scene. While I'm not sure if this is a real place or not, it is important that it seem hauntingly familiar. The clouds flutter as people walk by, attracting attention and sometimes creating a weather pattern- big gusts cause some serious tangling, which I hadn't expected but really like. (Although, now the piece needs to be de-tangled regularly!) 

Where the ground meets the sky is made of porcelain, wire, silk, vellum, silk thread and entomology pins. In this installation it is 7 feet wide.

Passages

Passages is a flexible sculpture that I have been working on since 2009. I had an idea of a piece that could change over time in response to display in a variety of spaces. With each installation I learn more about these pieces and try different solutions. This is the 5th installation of Passages, and it's first trip outside of Wyoming. (Last fall Passages was installed outside in the courtyard of Persephone Bakery in Jackson, WY, check out the blog post here.)

The installation process is both exciting and nerve-wracking. I enjoy working around different site obstacles and allow them to shape the course of the piece. For this installation I had limited time (which is a great way to make me focus and commit to decisions!)

This time there were lighting fixtures to work around and a plaster ceiling which made adding extra hooks difficult, plus I wanted to make sure I was not distracting from the other artist's work in the space. All of these "obstacles" are actually what makes installing this piece fun, I think of it as adding to a good conversation.

Even though Passages and Where the ground meets the sky are 3-dimensional, I also see them as drawings.

Heavy anchor wire attaches the boats and allows them to visually move through their environment. This wire makes a beautiful line and I feel that I am drawing in space. I compare the cluster of boats to leaves, a flock of birds or school of fish and the shadows expand the space they occupy. I also see these pieces as something familiar, though not quite recognizable, seen just out of periphery. 

In this installation, Passages, is made up of 120 (ish) welded steel boats dipped in Egyptian Paste.

On May 4th Curator Rebecca Collins held a gallery talk to discuss the artwork and show concept with the docents. On the left she is discussing Ashley Hope Carlisle's piece Carried Away. I spoke about my pieces and answered questions. I never think I want to talk about new artwork, especially when it is so fresh, but it is actually very insightful as it helps me put my ideas into words. 

I am grateful to the amazing staff at the Cabarrus Arts Council for all of their help and for allowing me such freedom to experiment!

To make the whole experience even better, my parents met up with me in NC and attended the gallery talk! Here they are trying to figure out what I did.

Check back next week for more images from the exhibition as well as photos of all the other artwork!

Card Making Workshop

Jenny Dowd

Mother's Day and Father's Day are coming up!

To help you prepare for these big days, I'll be teaming up with Alissa Davies to teach a workshop at Penny Lane Cooperative.

Stations around the room will be set up to help you make beautiful and creative cards for Mother's Day (May 14) and/or Father's Day (June 18.) Try your hand at collage and painting with fabric, paper and stencils or work with text and learn how to write a haiku.

All supplies are included, this will be a fun evening of art, snacks and drinks. Bring a friend (or sibling) and make something special!

The class will be held on Wednesday May 10 from 5 - 7pm and the cost is $25. (Children are welcome to attend with a parent for free.) And if you have an art making material you'd like to try out, bring it along!

Space is limited, to register call: 307-203-2323 or email: andi@pennylanecooperative.com

 

Update: Chalk & Poetry

Jenny Dowd

Three weeks of sidewalk decorating went by pretty quick! Brittany Hill, my chalky partner in art, and I have been decorating the sidewalk and entrance to the Teton County Library in Jackson in anticipation of the visiting U.S. Poet Laureate, Juan Felipe Herrera

(Catch up on the first blog post here)

Using a mixture of spray chalk and regular chalk, we added to our designs weekly plus enhanced areas that had faded or washed away in the rain. (Images above: week 1, week 2, week 3)

I added lines from the poem "Let Me Tell You What a Poem Brings" around the front walkway, re-working it each week as it washed away. Here you can see some of the process and evolution:

Read the rest of this poem and others by Juan Felipe Herrera here

We added blips and spots for interest and lines to connect.

Last night we both attended a talk by Juan Felipe Herrera at the Center for the Arts, it was the perfect ending to a fun and inspiring project.