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Prairie Grove, AR, 72753
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Journal

News from Dowd House Studios: places to find our pottery, exhibitions, classes & workshops, new forms and exciting projects.

Filtering by Category: Studio

New Designs

Jenny Dowd

The process of developing new ideas, including all the starts and stops, is something I truly enjoy. The frustrations only make me work harder and in turn, the successes are that much sweeter.

About a year ago I made a series of little ink drawings for an invitational exhibition. (Check out the blog post here.) Ever since I've been thinking about how to transfer some of these drawings onto cups and plates.

Thoughts of random objects drawn on my pots turned into drawings of tools and sweets. While discussing surface methods with Sam, the two ideas melted together and I started thinking about objects with hidden elements. Helpful cakes and tools with sweet surprises. 

I started by "drawing" the object using an inlay technique on the leather-hard clay. After bisque I inserted the hidden object (a saw or hammer inside a cupcake, or a cupcake inside a chainsaw.) I had a hard time stopping, it was exciting to finally visualize some of the ideas. I layered several glazes and underglazes and tried a few different applications.

I wasn't terribly happy with the results, but it was a good start and gave me more ideas on how to proceed.

The hidden cupcake inside the chainsaw needs more definition, the glaze outline around the chainsaw doesn't work, but the color contrast is a good idea, the tools are too ghostly inside the cake, the cupcake is just ok... 

At least this gave me enough information for another round of tests:

I'm happier with these results, though there will be a few more rounds before I start making more of these drawings on other forms and producing sets.

This process can be frustrating and exhausting but mostly it is exhilarating. Once I start working on one cup or plate, I think of so many more ideas and processes. I'll wake up at night thinking about new ways to solve the problems.

All the while I'm thinking about what these little drawings mean- is the cupcake being helpful? What about the secret the chainsaw is hiding? Is this about that time someone called me a tough little cupcake? I'm the kind of girl who likes getting tools as gifts, but I know some who don't- so maybe including a cupcake with the gift (that really isn't for her) would be helpful. (Just a thought!) 

Whatever it is, I'm enjoying the experiments and am excited to develop quirky stories for the surface of objects that are meant to be handled and used everyday.

The Blank Canvas

Jenny Dowd

Often a blank canvas will give pause. 

I set up January as a month full of the dreaded blank canvas- with the challenge of new design ideas in both ceramics and drawing. 

Just over halfway into the month, this week came together as the most productive. I have nothing to show for it, yet. What I do have is a kiln full of test tiles and several damp boxes full of small plates and cups. I also have a clean (ish) drawing studio with (mostly) organized pens, pencils, bottles of ink and new brushes.

I like to have a few projects going at the same time, in this case a new drawing project overlaps a little into the clay studio.

A few years ago I made stacks and stacks of "paper" out of thin sheets of clay. I was teaching at the Interlochen Center for the Arts as the Ceramics Artist in Residence and I had used up the small roll of drawing paper I'd brought with me. At the time I was encouraging my students to use materials in unexpected ways- so I started making my own paper out of porcelain paperclay. 

While the papers have been collecting dust in my studio, I've been rolling around ideas for the past year. It's been a struggle to balance my time between these two studio practices- something I'm working on this year. 

I finally fired the papers and now I'm testing the surface; trying out different inks while thinking about what kind of relationship I want to develop between the canvases and the random objects I'll be filling them with.

These canvases (pots & papers) won't stay blank for long!

Western Design Conference 2016

Jenny Dowd

Earlier this year Agnes Bourne invited several Jackson artists to work with her on a project for the 2016 Western Design Conference. We were asked to create artwork for the foyer of the Designer Show House, on display during the conference, September 8 - 11.

The theme of the room, Flying West in Summer, served as inspiration as we met and discussed our vision for the space. Sam committed to making a coat rack and I took on the challenge of a chandelier.

The cool end of summer / early fall weather was perfect; we turned our driveway into an extra studio for welding, fabrication and even wood burning.

The Designer Show House is composed of 9 rooms, each featuring a different designer. The foyer celebrates "New Arts" in Jackson, with new and repurposed objects offering a welcoming space full of ideas and reflections. Visitors are met with a large shelving unit filled with fascinating objects: a Cabinet of Curiosities. To the right in the lower bank of photos, Ben Roth's Aspen Coat Rack, fabricated from steel and spoons. At the top and lower shelves of the Cabinet of Curiosities is The Grand Pan, created by Bland Hoke. Small paintings by Lee Riddell are tucked between the curiosities. 

Inspiration for Sam's steel and wood coat rack came from the current fire season in Wyoming and throughout the West.

My inspiration for the Wyoming Sky Lantern came originally from the little white birds seen at a distance in Yellowstone National Park, usually around Grand Prismatic. I also incorporated the silhouette of the ever present mountains and stars that pierce the night sky.

Also in the image below is a plein air painting by Kathryn Mapes Turner. And surrounding the room is a giant image from Triangle X Ranch, printed on fabric.

This project stretched the imagination- the first time we saw all of the components together was during the installation on Monday before the show opened! With a bit of magic and a lot of trust this project came together to offer a space full of vision, as written by Agnes Bourne:

listen to the light

in the tent of early dawn

under the cover of quiet sunrise

the Wunderkammer of deepest dreams

reflects the shadows of living memories

in the museums of our minds

flying West in summer

listen to the light - listen to the light

Studio Cat

Jenny Dowd

It's been pretty busy in the studio lately and I think someone has been trying to tell me that he hasn't been getting enough attention. So it's about time I introduce Merlin, the Studio Cat.

Merlin is always close by, helping pack boxes, watching me work and overseeing studio operations. Of course there is also the occasional paw swat. 

Merlin would like for you to think that he is adorable and totally helpful. While he is quite entertaining he also is very good at breaking things (lots of my stuff and luckily only 1 piece made by another artist.) I encouraged Merlin to find another job, but I guess this really is his thing. I just still can't let him into my drawing studio.

Of course there is always the opportunistic nap. Anytime.

So now you know all about my studio helper!