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Journal

News from Dowd House Studios: places to find our pottery, exhibitions, classes & workshops, new forms and exciting projects.

Filtering by Category: Process

Chalky Characters & Helpful Objects

Jenny Dowd

Last week I tackled my largest canvas yet… the Town Enclosure Pavilion on the lawn of the Center for the Arts in Jackson. This temporary structure was installed last year by Carney Logan Burke Architects with the intention to be a space for performances, gatherings, and also to offer creative space for visual artists.

Jackson Hole Public Art asked me to consider drawing on the panels using chalk. The pavilion can be walked around and through, with the panels changing with movement almost like an optical illusion, so this became an inspiration. I made a rough plan and then just decided to go for it.

Before starting the drawings I could not comprehend the size of the panels. Once a ladder was in place and I could only reach as far as my arms would stretch - I just had to go for it and make the shape fit the space. Suddenly I found it easy to run out of room and wishing the panels were larger!

It was an equally freeing and terrifying feeling to freehand draw these characters and objects. I used both hands to draw and went up and down the ladder and walked back and forth to the street to get a better view.

Some characters feature furniture acting out human scenarios (Bad lamp) and others are embracing their helpful nature - Super chair! (This chair swoops in just when you really need to sit down but there are no chairs nearby.) And the lamp saying “I really like you” to the other lamp. So careful and hesitant, ready to go out on that limb, just not quite ready for the other L-word.

Other helpful and awkward objects include the giant watering can and umbrella. The placement of the panels inspired the watering can and flowers, while walking past the water drops line up so the flowers are getting a good drink.

I’m inspired by the awkward feeling of ladders and nets, as if they are stretching and helping to reach that far-away object.

This was such a fun project! The chalk drawings will remain for a week or so - depends on rain. So if you are in the area be sure to walk by.

Making a puppet

Jenny Dowd

It can be difficult to share process photos and explain projects that are still mostly living in my head. However, I’m finding that this is a helpful part of my process, plus I’m excited to share this project.

Sam and I are currently working on a huge project - we are making a pole puppet! In June we had the opportunity to work with Eric and Ines Bass from Sandglass Theater in a collaboration with Dancers’ Workshop. This project will culminate with a parade and performance on August 16. (Stay tuned!) Our puppet is 1 of 5 beasts, each based on one of the Chinese Five Elements: Earth, Water, Metal, Wood, Fire. Our beast is Metal, and is loosely based on an armadillo.

The Chinese Five Elements contain a lot of interesting layers; Metal also refers to the emotion: sadness, color: white, and flavor: pungent.

We spent 4 days working on the body structure, the tail and head will be added later.

The base of the creature was made out of cardboard, with the double layers helping to keep the reed armature in place. After shaping the vertical hoops, I attached the horizontal reeds with tightly tied bike tubes. I really wanted the puppet body to articulate in two directions - up and down and side to side. However, after attaching a fabric hinge and trying to move the creature, I discovered that it was too bulky to have that much movement. Up and down was more important, so the hinges were remade to easily shift the mass up and down - as seen in the bottom right image.

Poles were installed under the base - they are fitted to the backpack worn by the puppeteer. A pole was inserted into the front half so the body will articulate up and down. Both me and Sam tried on the backpack to make these adjustments.

So, now that the structure is nearly complete, it’s time for the details! Although, these are still complicated and require a bit of engineering and careful thought. This is just the body of the puppet - the head and tail are still seperate at this point and will each have their own pole and puppeteer. Our beast will be operated by 3 people!

I’ve started covering the armature with fabric, including the soft underbelly of the beast, in silver and metallic blue. Next, the scaly armor will be attached, plus a neck, head, and tail.

Remember that the Chinese element Metal also includes the color white? My plan is for the colors to fade from deep metallic blue on the inside to silver and white as they progress from the body.

A few of the details here - Sam is gluing nostrils onto the head and I’ve started sewing the tip of the tail. I think we are over halfway finished, but there is still lots to be done.

Stay tuned for more updates and information on the performance and parade on August 16th in Jackson!

So many mugs

Jenny Dowd

I’m really in a mug phase right now.

Lately I’ve been working on mugs for shops, mugs for upcoming sales, and mugs for special projects. The biggest challenge is coming up with a unique design for each location, at the same time this is the best part - an excuse to stretch and come up with something different while maintaining my voice and style. I love that within each of these projects the mugs are unique yet similar…

This Jackson Hole mug was created as a custom design for Workshop; I’ve been making them for a few years and on this last round gave them a minor tweak. Lowercase metal letter stamps - the result is so much more playful! Each letter is hand-stamped and the mountains and lines are incised. Each different yet similar.

Penny Lane is opening at a brand new location tomorrow! I’ve made a collection just for this space, ivory glazed mugs of all shapes & sizes. Each incised with little details.

This year I have been working on another custom mug, this time exclusively for MADE. Each features the Tetons while varying slightly in pattern. I’m still tweaking this design, trying a batch made from porcelain… coming soon!

In the soda kiln right now… lots of mugs! I’m never totally sure how these pots will turn out (check out these past Journal entries for details on this firing process: Part 1 & Part 2) Here I’m applying stains to the surface of the clay, this will react in the firing and make something interesting.

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And finally! I’ve been invited to participate in the first year of Wyoming Art Drop. This project features artwork by 6 Wyoming artists. Order an Art Drop and you’ll get a box of curated artwork delivered to your door in December. This Wyoming Night Mug is my prototype for this project, I’m excited to represent my state!

Wait for it

Jenny Dowd

Most of the time art requires a vast amount of patience. Sometimes the patience is totally surprising.

In 2004 I was invited to participate in the public art event, Art Inside the Park, in Jefferson City, MO. I made tons of porcelain stacks - a sort of growth formation / pancake stack. There were probably hundreds of stacks of the bright white fired porcelain pieces, installed in a wide meadow and between the trees. They were meant to seem almost natural, as if perhaps they actually grew there. I remember standing back at the opening of the park, watching as some people did a double-take when they noticed “Growth,” while others walked on by without noticing. Both reactions totally perfect.

After the exhibition was over, the pieces were packed up and a friend took some for her garden, my parents took some for their yard, and I probably threw some away.

So here it is, spring 2019. Every time I visit my parents I’m reminded of these pieces. My dad has patiently placed them in the yard, tucking the stacks between rocks, plants, and trees. He glues them together in an attempt to prevent a squirrel from knocking them over (I think the squirrel is winning.)

The best thing is that I always forget about these pieces. Every single time. I look out in the backyard and think about how peaceful it is and how the trees and plant have grown so much over the years. Then suddenly… what? What is that? During the most recent visit in April I actually got about a foot away from them before I recognized what they were. Sitting outside for 15 years has resulted in a surface I could only have ever dreamed of. The somewhat porous clay has been stained and is growing the most beautiful moss. It’s a different piece than it was in that park, bright white against the green grass.

It’s a good lesson to let go. I loved the piece when it was installed because it was exactly what I imagined. After the show was over I felt no attachment to these pieces as they had served their purpose. Once again I am reminded that patience wins the day and the things beyond imagination are often better than the rigid ideas in my head.